August 2021 Art News

A project nine years in the making, the exhibition foregrounds the Library's Picture Collection which, since its founding in 1915, has allowed patrons to sift through its storied contents in search of visual references of every conceivable kind.


Get film poster expert Bruce Marchant’s top tips on starting a collection and discover some of the gems he’d recommend to more established collectors from our upcoming sale Original Film Posters (27 August – 7 September). Demonstrating over 100 years of cinematic history, discover iconic film posters from Alfred Hitchcock thrillers to the ever-popular James Bond titles. Highlights include classics such as Gone with the Wind, The Italian Job and Snow White and the Seven Dwarfs.

The European Fine Art Foundation (TEFAF) is pleased to announce Amgueddfa Cymru—National Museum Wales, is to receive €20,000, as the second recipient of this year’s TEFAF Museum Restoration Fund.
The cloud’s chimeric quality is even more salient in Chinese visual and material arts. It has made a palpable mark on theories of painting and the visual arts of China, and by extension the visual culture of East Asia. 


Join Met curators, conservators, and horticulturists as they discuss some projects they have been working on over the past year and experience the magic of The Met Cloisters.

The forthcoming exhibition explores common approaches shared between Japanese and Scandinavian visual cultures. The show will feature 39 contemporary fiber and ceramic artists from Denmark, Finland, Japan, Norway, and Sweden.
An exceptional gathering of works by Vincent van Gogh, in conversation with the artists and artworks that spoke to him the most, will premiere at the Columbus Museum of Art this fall.
Art & Object interviewed one of the finalists, the British architect, artist, and activist Sofia Karim, and asked what this nomination means for her.

Join Dr. Christopher C. Oliver, Bev Perdue Jennings Assistant Curator of American Art, for a virtual tour of VMFA exhibition Virginia Arcadia: The Natural Bridge in American Art.

At the root of all Gothic art and architecture was the desire to construct something close to heaven on Earth, a place where congregations could feel the presence of the divine.
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