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Flynn Fine Art is excited to announce its first digital presentation in partnership with Artsy, Five Quarantines, by Caroline Carlsmith.
The National Museum of African American History and Culture’s May programming features a special conversation on the landmark African Burial Ground project that revealed a greater history behind slavery in the North.
An exhibition of new encaustic paintings and digital art by Wo Schiffman and Davey Whitcraft that confronts complex perceptions of place, belonging, and isolation.
Regen Projects presents Make-Shift-Future, a group exhibition curated by Elliott Hundley, featuring Kevin Beasley, Elaine Cameron-Weir, rafa esparza, Max Hooper Schneider, Eric N. Mack, Alicia Piller, Eric-Paul Riege, and Kandis Williams.
Catalina Chervin (b. 1953, Argentina) depicts what the human mind intuits rather than what the eyes see — replacing empirical knowledge with subconscious feeling.
Marc Glimcher, CEO and President of Pace Gallery, announced this week that the gallery will begin representing Jeff Koons exclusively worldwide. Jeff Koons is among the world’s most influential and iconoclastic living artists.
Really Free is the first major presentation of her work in more than twenty years and the first to consider her practice as a radical act of self-expression and liberation in the post-civil rights-era South.
The National Gallery of Art, Washington, announced that the West Building will reopen to the public on Friday, May 14. Free, timed passes will be required. Passes will be released each Monday at 10:00 a.m. for the following week.
In his debut, solo exhibition, Garage Sale: Ain’t Sh!t Gucci, Harlem-based Conceptual Artist, Sean “Belchez” Cort offers his perspective on the positioning of black and brown bodies as commodities, through the lens of an American garage sale.
Pace Gallery is pleased to announce the expansion of its presence in Seoul, South Korea with a new expanded space occupying two floors of Le Beige Building in the Hannam-dong neighborhood.
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