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David Zwirner currently hosts Albers and Morandi: Never Finished, curated by gallery Partner David Leiber. On view at the gallery’s 537 West 20th Street location, the exhibition explores the formal and visual affinities and contrasts between two of the twentieth century’s greatest painters: Josef Albers (1888–1976) and Giorgio Morandi (1890–1964).
Farbe, an exhibition of recent mixed media works by Paige Beeber, is on view at Freight+Volume and can be accessed by appointment only.
Richmond, Virginia – Several rare, historic pieces are being brought to auction for the first time by Old World Auctions in their Sale #181, ending on February 10.
SCAD University Press announces the release of Kenturah Davis: Everything that Cannot Be Known. Commemorating Davis’ solo exhibition at the SCAD Museum of Art in 2020, the catalog—the artist’s debut monograph—contextualizes her investigation of the brilliance of Black identity.
Kavi Gupta's latest exhibition, Young-Il Ahn: Reflection, memorializes the artist, who passed away unexpectedly in the midst of planning this, his second solo exhibition with the gallery.
New York—The Metropolitan Museum of Art and Verizon launched The Met Unframed, on January 12, 2021, an immersive virtual art and gaming experience with enhancements powered by Verizon 5G Ultra Wideband and featuring more than a dozen one-of-a-kind digitally rendered galleries and nearly 50 works of art from across The Met's vast collection.
The exhibition brings together works that address black grief as a national emergency in the face of a politically orchestrated white grievance.
Created just before World War I, In Exaltation of Flowers was Edward Steichen's most ambitious achievement in that medium.
Takamatsu’s haunting black and white imagery explores narratives of death and society, through a unique depth-mapping technique that he developed, in which classic mediums such as drawing, airbrush and gouache painting are combined with computer graphics.
The Detroit Institute of Arts presents a survey of over ninety photographs by Russ Marshall whose black-and-white imagery was inspired by the Motor City’s streets, architecture, music and factory workers for over 50 years.
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