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Since booking one of the most prestigious commissions an artist can get, Sherald has emerged as one of the most important voices in American contemporary art.
From September 21, 2019 to January 19, 2020, the Art Institute of Chicago presents Photography + Folk Art: Looking for America in the 1930s, an examination of American art at the height of the Great Depression.
It has been decades since so many works by Albrecht Dürer (1471–1528) have been seen in one place: thanks to valuable international loans, Vienna’s ALBERTINA Museum—itself home to numerous world-famous icons of drawing by Dürer including the Hare, Praying Hands, and Large Piece of Turf—will be presenting over 200 examples of Dürer’s drawings, printed graphics, and paintings in autumn 2019.
Every summer and fall connoisseurs and collectors of Asian art gather in New York for Asia Week.
This September, Gallery Henoch is pleased to present The Female Eye, a group exhibition of 11 contemporary female realist painters investigating their present-day truths as womens’ issues continue to forge to the forefront of modern concern.
Far from facing extinction, there is a resurgent interest in books made by artists as well as publishers specializing in books about art.
The J. Paul Getty Trust will embark on an unprecedented and ambitious $100-million, decade-long global initiative to promote a greater understanding of the world’s cultural heritage and its universal value to society, including far-reaching education, research, and conservation efforts.
Eve Arnold was a woman in a profession dominated by men. She strongly opposed the label of “woman photographer” because she simply wanted to be recognized as a photographer who happened to be a woman.
This October, Sotheby’s Frieze Week sale of Contemporary Art will be underscored by twelve generously donated works from leading contemporary artists and galleries, each of which will be sold for the benefit of a new national charity, the Aortic Centre Trust.
Female artists are taking over the Museum of Fine Arts, Boston (MFA) in a new exhibition addressing the pernicious problem of underrepresentation in art museums.
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