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Washington, DC—Dressed in rustic Italian costume or nude on a grassy plain, rendered with a sophisticated use of color and a deft, delicate touch, Corot's women convey a mysterious sense of their inner lives. Corot: Women features 44 paintings created between the 1840s and the early 1870s: nudes, individual figures in costumes, and an allegorical series of the model in the studio. The National Gallery of Art is the only venue for Corot: Women, on view from September 9 through December 31, 2018.
As the world mourns the loss of the Brazil National Museum to a monumental fire, we look back on some of the greatest losses to humanity’s art and cultural heritage.
Vernacular photographs are the lifeblood of affirmative self (re)presentation. For African-Americans, whose relationship with photography has always been complicated—stemming from, among other things, the difficulty with which photographic technology registers melanated skin (see Shirley cards)—portraits are not only personal, but political. Until October 8, the exhibition, African American Portraits: Photographs from the 1940s and 1950s will be on view at The Met Fifth Avenue.
Hong Kong – Christie’s is proud to launch one of the world’s rarest Chinese paintings by Su Shi (1037-1101) – the pre-eminent scholar of the Song Dynasty and one of the most important figures in Chinese history.
Inspired by a 1989 Guerrilla Girls poster stating, “You’re seeing less than half the picture without the vision of women artists and artists of color,” a new exhibition at the Brooklyn Museum helps viewers get woke. It examines major works, new acquisitions, and rediscoveries in the Museum’s collection through an intersectional feminist lens. Half the Picture: A Feminist Look at the Collection highlights over fifty artists who use their art to advocate for race, gender, and class equality.
Sotheby’s announced today the special sale of XUZHEN SUPERMARKET at their Contemporary Art Evening Sale in Hong Kong September 30. Though it may sound straightforward, the auction house isn’t selling a family grocery store—they’re selling the idea behind and future execution of an art installation.
LOS ANGELES – Courtiers feasting at elaborately set tables, knights in gleaming armor, a richly clad monarch presiding over elegant festivities—these are the images often associated with the medieval and Renaissance courts of Europe. For rulers and members of the nobility at the center of these privileged spaces, the visual arts—illuminated manuscripts, paintings, drawings, enamels, and textiles—were central aspects of their political and cultural identities. All that Glitters: Life at the Renaissance Court, on view from August 28 to December 2, 2018 at the J.
Currently at the Peabody Essex Museum (PEM), Empresses of China’s Forbidden City is the first ever international exhibition to explore female power and influence during China’s last dynasty.
Last week, The Costume Institute’s spring 2018 exhibition, Heavenly Bodies: Fashion and the Catholic Imagination, welcomed its one millionth visitor, making it The Costume Institute’s most attended show ever and The Met’s third overall most attended.
This weekend Heritage Auctions’ Americana and Political Auction saw the sale of a rare piece of American history. Celebrating the recent civil disobedience of the Sons of Liberty protesting the Tea Act, "Liberty Triumphant: Or the Downfall of Oppression," is a rare engraving attributed to the Philadelphia and New York engraver Henry Dawkins, published in late 1773 or early 1774.
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