In a new exhibition, the Museum of Modern Art (MoMA) showcases their collected works of Constantin Brancusi, one of the most influential sculptors of the 20th Century. The exhibition includes eleven sculptures, shown together for the first time, as well as drawings, photographs, and films, some of which Brancusi made in his studio with his friend Man Ray. Rare archival material illuminates the artist’s process and many of Brancusi’s relationships with friends, patrons, models, and museums.
Art News
On June 29, the collaborative project Condo, which invites galleries to stage exhibitions outside their home city, opened its second New York iteration. Founded in London in 2016, Condo has since expanded to host cities across the world, including Mexico City, Shanghai, and São Paulo. This year’s New York roster of 47 galleries across 21 spaces is similarly international, engaging participants from Cairo to Dubai to Auckland with particularly robust domestic and Western European representation.
A fine late-17th century quarter repeating table clock by Thomas Tompion sold for £248,750 at Bonhams Fine Clocks Sale in London on Wednesday 11 July.
This week the Museum of Modern Art debuted the first major US exhibition devoted to the architecture of Yugoslavia. Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, uses over 400 objects related to architecture and design to examine this critical period in the nation's history.
From 20 July to 21 September, Sotheby’s S│2 London will present two solo exhibitions: one dedicated to Japanese artist, Tsuyoshi Maekawa, in gallery one, and the other to British sculptor, Ewen Henderson in gallery two.
An array of optical illusions, trompe l’oeil, and hyperrealism are on display in Chicago Works: Mika Horibuchi, now at the MCA Chicago. Horibuchi’s work plays with the nature of reality, upending viewers expectations. One of her pieces references an ambiguous 19th Century duck/rabbit illustration; her deceptively simple painting could be either a bunny or a duckling in repose, depending on the viewer's perception.
Washington, DC—Prints and drawings have consistently served as popular media for humor in art. Prints, which can be widely replicated and distributed, are ideal for institutional mockery and social criticism, while drawings, unmediated and private, allow for free rein of the imagination. Sense of Humor will celebrate the rich yet often overlooked tradition of humor in works on paper, ranging from the 15th to 20th century.
Phillips Auction House has a new exhibition this summer that brings together fashion, art, culture, and charity. Curated by Elizabeth Semmelhack, Senior Curator at the Bata Shoe Museum in Toronto, Tongue + Chic features shoes designed by some of today’s most important artists, including KAWS, Kehinde Wiley, Jenny Holzer, Damien Hirst and Takashi Murakami. Borrowed from private collections and museums, the objects on display show that shoes are a blank canvas with unlimited potential for expression.
On July 10th, Fred Wilson: Afro Kismet opened at Pace Gallery, New York after a four week run at Pace London this past Spring. Wilson was catapulted into notoriety with his revolutionary Mining the Museum exhibition (1992), a storage raid-cum-excavation that destabilized the politics of display at the Maryland Historical Society.
This weekend marks the inaugural opening of FRONT International, Cleveland’s new Triennial for Contemporary Art. Centered around the theme “An American City,” FRONT seeks to push the boundaries of the traditional art fair by emphasizing “process, research, collaboration and long-term engagement with Cleveland and Northeast Ohio." While the theme gives the triennial a local focus, it all aims to engage larger social, political, cultural, ecological and economic issues, using Cleveland to serve as an example of how these issues function on a larger scale.
