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It’s the first night of Passover! Tonight, Jews all around the world will sit down together and recount the story of their ancestor’s exodus from Egypt and the Jewish people’s liberation from slavery. The Passover story is from the book of Exodus, which is one of the most central stories of the Torah, and it reflects some of the biggest themes in Jewish history: oppression, freedom, adversary, and the idea of a homeland.
Greater attention is often paid to the causes of wars than to their aftermath. The Boston Tea Party of 1773 is immortalized in paintings, but the resettlement of defeated American Loyalists after 1783 is not.
Although such collections were kept by a wide range of groups and individuals—from Tsars to churches and apothecaries to scientific academies—a new wave of scholars have taken particular interest in the motives and cultural implications of the wealthy, often aristocratic, hobbyist collector.
Lately there have been investigations that highlight new theories on some of history’s greatest artists and their paintings. We wanted to dive into these theories to discuss their arguments, histories, and if there is any validity to them. Regardless, these new theories have proven that even if a work is three, or four, or five hundred years old, it can still cease to amaze and perplex us.
In the hotly contested battleground of Gender Studies, art historian Jonathan D. Katz is a trailblazer. He was the first tenured faculty in Gay and Lesbian Studies in the United States and has curated more queer-related art exhibitions than anyone else worldwide.
In the third installment in our series on jewelry’s place in art history, we’re exploring how the once-Emperor Napoleon used jewelry, and in particular, cameos, to try and secure his place in history.
Dadaism or Dada is an art movement of the early twentieth century characterized by irreverence, subversion, and nonsense. Dada art, performance, and poetry emerged in Zurich as a reaction to the horror and misfortune of World War I.
Last week, TEFAF, The European Fine Arts Fair, opened its 36th edition in the quaint Dutch town of Maastrict. Just like any art fair, it was filled with celebrity shoppers, representatives of the top museums and galleries, and filled with thousands of artworks.
A visual history of Zoroastrianism—allegedly humanity’s oldest monotheistic religion—materializes only to the most determined eyes. Buried under millennia of crucifixes, stars of David, and crescent moons, symbols of this four-thousand-year-old faith have been overshadowed and repurposed as cultural and political motifs; yet like its worshippers, Zoroastrian art has not vanished, but rather learned silently to adapt and influence.
From anti-semites to abusers, this list is full of truly disheartening facts about artists who made some of the most beautiful work. There has long been an association between caustic temperaments and creative genius. But is this just an excuse developed by said jerks to get away with, quite literally in some instances, murder?
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