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As has become the case more often than not, the public response to this year’s Met Gala seems to be general disappointment. The negative reviews primarily cite the attendees' inability to dress on theme, especially with a prompt as inspirationally ripe as the Gilded Age.
"This exhibition and its accompanying publication vividly exemplify our desire to advance new art historical scholarship by displaying materials that tell a more inclusive story of human creativity," said Michael Govan, LACMA CEO.
In his latest book, That Which is Unseen, Panjiar takes us across almost four decades of Indian history and proves to be one of the most fascinating figures in contemporary photojournalism.
Freeman’s May 11 auction brings an important collection of artworks from a private New York family to market. The sixteen lots offered—almost all works on paper—present buyers with remarkable fresh-to-market collecting opportunities.
eL Seed's multimedia work combines elements of painting, sculpture, and writing. After long periods of research, he introduces text-forward art installations in different communities, using language to echo messages that are both universal and specific to the location.
Addressing Vorticism requires facing a troubling period of political history head-on, something many historians have been reticent to do. Nevertheless, it is important to analyze the evolution and manifestation of radicalized ideas, in part so that we can be attuned to their development and ready to recognize them as they occur.
In 2019, the Notre Dame Cathedral was engulfed in a catastrophic fire that ultimately damaged and destroyed its upper walls, roof, and spire. Even as it burned, devastated onlookers poured in donations. Thus, it did not take long for the Cathedral's rebuild to begin.
The Parthenon Marbles and Greece’s quest for their restitution is perhaps one of the most famous instances of such a thing, with the marbles now becoming a part of two different and diametrically opposed national identities. This list presents ten other such cases, some resolved, some not, of cultural objects of dubious legality, where they came from, where they are now, and who wants them. 
The caduceus, constantly mistaken for the Rod of Asclepius, has been wrongly used as a medical symbol for a little over one hundred years. Although they are often used interchangeably in contemporary settings, the two symbols have very different meanings. Could you tell them apart?
Much like ourselves, the characters in Bea Scaccia: With their Striking Features arm themselves with costumes and possessions that speak to the roles they are trying to perform, and the identities they are attempting to embody, particularly with respect to issues of class and gender.
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