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Petzel is pleased to present Heart in the corner of the room, Ross Bleckner’s second exhibition with the gallery and his first at our Upper East Side location. The show, a series of paintings all created between 1975–1979, shortly after artist’s time at the California Institute of the Arts, will be on view until December 17.
On November 15, Sotheby’s hosted the first of two stand-alone auctions of the Macklowe Collection. The results were historic. In total, the sale achieved a landmark $676.1 million, making it the most valuable single-owner auction of all time and the most valuable auction ever held at Sotheby’s.
Illuminating the complexity of art-making amid a global pandemic, this December the Amon Carter Museum of American Art (the Carter) will present Sandy Rodriguez in Isolation, a selection of new works on paper conceived by the Los Angeles–based painter during her Joshua Tree Highlands Artist Residency.
Bringing the vibrant art world of Asia to Los Angeles, Helen J Gallery is excited to announce its inaugural brick and mortar exhibition space in the heart of Hollywood, California’s Media District. The Asian-focused, Woman-owned gallery will provide many Asian artists with their first presentations in the United States.
This list presents a handful of notable, historical moments from the institution's 150-plus years of existence. From the museum’s murky accession of its first artwork in 1870  to the ground-breaking introduction of its Open Access Initiative in 2017, The Met and its artworks have reflected the cultures they came from.
In collaboration with Gary Nader of Gary Nader Art Centre, Pace Gallery is pleased to present Wifredo Lam: The Imagination at Work, an exhibition of paintings, works on paper, and rarely seen bronze sculptures, including a significant loan from the Santa Barbara Museum of Art, at its 510 West 25th Street space in New York.
Twenty-four exemplary works acquired over the last two years from the Souls Grown Deep Foundation, one of the most important organizations supporting the work of African American artists from the southern United States, will debut in January at the Toledo Museum of Art in Living Legacies: Art of the African American South.
In a perfectly paired yin-yang juxtaposition of exhibitions, two artists—Ana María Hernando and Yoshitomo Saito—show works inspired by nature, yet rendered in extremely different media. Coincidentally, both attended the California College of Arts and Crafts in Oakland, CA. The creative energy evident in these exhibitions is nonconformist, particularly in the artists’ use of media.
This winter, in his first collaboration with a major UK gallery, American artist Kehinde Wiley will explore the artistic conventions and canons of the Western landscape tradition—mountainous, coastal, sublime, Romantic and transcendental—through the mediums of film and painting.
Midway through October, tech experts Anthony Bourached and George Cann were prepared to unveil their AI-generated recreation of a lost Picasso at London’s Deeep AI Art Fair, when they received a letter from the U.K. side of Picasso’s estate demanding they cease and threatening legal action.
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